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  #1  
Unread 01-19-2022, 01:23 PM
Sarah-Jane Crowson's Avatar
Sarah-Jane Crowson Sarah-Jane Crowson is offline
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Default January's flying fish & palmistry escapades

My January weird and wonderful outputs are:

Right Hand Pointing (cover art)

Power Magazine (print) from Fly on the Wall Press (a UK Indie publisher who might be of interest to others on here too as they're eclectic and interesting imo). I've a found/collage vispo using a palmistry book source in there.

Sugar House Review (print) - Labyrinth poem text, workshopped here.

Sepia - a newish Journal, who reached out to me and asked if I'd contribute, which was really nice and the first time that's ever happened to me. Wow.

Sarah-Jane
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Unread 01-19-2022, 04:52 PM
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RCL RCL is offline
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An amazing and well-deserved haul! I'm still a rank beginner at getting hybrid art, but I'll get there.
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Ralph
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Unread 01-19-2022, 05:24 PM
Matt Q Matt Q is offline
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Congratulations Sarah! That's quite a haul.

And very cool to be asked to contribute. I saw your cover art up at RHP the other day. The Fly on the Wall press magazine does look interesting, and looks like it must have a different name every issue. Sepia looks very cool too, very well presented site. Love the snowbird piece, and I hadn't seen that one before.

Matt
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Unread 01-19-2022, 06:38 PM
F.F. Teague F.F. Teague is offline
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Congratulations, Sarah-Jane

Best wishes,
Fliss
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Unread 01-20-2022, 03:47 PM
Sarah-Jane Crowson's Avatar
Sarah-Jane Crowson Sarah-Jane Crowson is offline
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Thanks RCL, Matt and Fliss,

RCL - Thank you. I'm not great at it either. I'm working in it, but it's a fluid field, I think. Mostly I'm surprised that since I'm working from a hill-locked vacuum in rural Herefordshire anyone thinks my things are interesting anyway. Be warned that I don't think I'm a great lodestone for vispo because, for obvious reasons, I veer on illustrative.

Matt - thank you. I liked Sepia too. There are a few nice new ones around - I'd look at Tentacular, too, if you're up for that kind of thing.

Fliss - thank you.

And to 2022, where my current great frustration is that some of the most interesting work I reckon that I've produced in 2021 - the work I want to share (sometimes (well, twice) in collaboration with some really amazing poets who I was lucky to work with) is still sitting in slush piles or ed's 'love it but haven't quite decided' pile.

But onwards, embracing complexities and chance,

Sarah-Jane
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Unread 01-21-2022, 02:47 AM
Andrew Frisardi Andrew Frisardi is offline
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Beautiful work, Sarah-Jane. Congrats on the placements.
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