Good old London Grip, eh? Nice review, Mark. And thanks, Julie.
But - what are these specific, privileged voices of which you speak, Jane? How have they been highlighted?
It's a "one poem per poet" collection and I don't think Merryn selected anything on any other grounds than that she felt it displayed a degree of poetic quality.
What have you found that makes you think otherwise? (I ask as a concerned contributor.)
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