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  #11  
Unread 02-28-2005, 11:16 AM
Gregory Dowling Gregory Dowling is offline
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It's rather long but I think it's worth posting here this very fine poem by Anthony Hecht:

COMING HOME
From the journals of John Clare


July 18, 1841

They take away our belts so that we must hold
Our trousers up. The truly mad don't bother
And thus are oddly hobbled. Also our laces
So that our shoes do flop about our feet.
But I'm permitted exercise abroad
And feeling rather down and melancholy
Went for a forest walk. There I met gypsies
And sought their help to make good my escape
From the mad house. I confessed I had no money
But promised I should furnish them fifty pounds.
We fixed on Saturday. But when I returned
They had disappeared in their Egyptian way.
The sun set up its starlight in the trees
Which the breeze made to twinkle. They left behind
An old wide awake hat on which I battened
As it might advantage me some later time.


July 20

Calmly, as though I purposed to converse
With the birds, as I am sometimes known to do,
I walked down the lane gently and was soon
In Enfield Town and then on the great York Road
Where it was all plain sailing, where no enemy
Displayed himself and I was without fear.
I made good progress, and by the dark of night
Skirted a marsh or pond and found a hovel
Floored with thick bales of clover and laid me down
As on the harvest of a summer field,
Companion to imaginary bees.
But I was troubled by uneasy dreams.
I thought my first wife lay in my left arm
And then somebody took her from my side
Which made me wake to hear someone say, “Mary,”
But nobody was by. I was alone.

***

I've made some progress, but being without food,
It is slower now, and I must void my shoes
Of pebbles fairly often, and rest myself.
I lay in a ditch to be out of the wind's way,
Fell into sleep for half an hour or so
And waked to find the left side of me soaked
With a foul scum and a soft mantling green.

***


I travel much at night, and I remember
Walking some miles under a brilliant sky
Almost dove-grey from closely hidden moonlight
Cast on the moisture of the atmosphere
Against which the tall trees on either side
Were unimaginably black and flat
And the puddles of the road flagstones of silver.

***

On the third day, stupid with weariness
And hunger, I assuaged my appetite
With eating grass, which seemed to taste like bread,
And seemed to do me good; and once, indeed,
It satisfied a king of Babylon.
I remember passing through the town of Buckden
And must have passed others as in a trance
For I recall none till I came to Stilton
Where my poor feet gave out. I found a tussock
Where I might rest myself, and as I lay down
I heard the voice of a young woman say,
“Poor creature,” and another, older voice,
“He shams,” but when I rose the latter said,
“0 no he don't,” as I limped quickly off.
I never saw those women, never looked back.


July 23

I was overtaken by a man and woman
Traveling by cart, and found them to be neighbors
From Helpstone where I used to live. They saw
My ragged state and gave me alms of fivepence
By which at the public house beside the bridge
I got some bread and cheese and two half-pints
And so was much refreshed, though scarcely able
To walk, my feet being now exceeding crippled
And I required to halt more frequently,
But greatly cheered at being in home's way.
I recognized the road to Peterborough
And all my hopes were up when there came towards me
A cart with a man, a woman and a boy.
When they were close, the woman leaped to the ground,
Seized both my hands and urged me towards the cart
But I refused and thought her either drunk
Or mad, but when I was told that she was Patty,
My second wife, I suffered myself to climb
Aboard and soon arrived at Northborough.
But Mary was not there. Neither could I discover
Anything of her more than the old story
That she was six years dead, intelligence
Of a doubtful newspaper some twelve years old;
But I would not be taken in by blarney
Having seen her very self with my two eyes
About twelve months ago, alive and young
And fresh and well and beautiful as ever.


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  #12  
Unread 02-28-2005, 01:38 PM
Janet Kenny Janet Kenny is offline
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Gregory,
That poem exemplifies nearly all the reasons I have for absolutely loving the poetry and mind of Anthony Hecht. His humanity and ability to enter into the centre of experiences and to become other people.

I saw a documentary the other day in which Arthur Miller described a man who had lost all hope and fortune in the Wall Street collapse. He had one phrase for everything: "Well say!" He could say it an infinite number of ways. As Arthur Miller told that story he became that man. Hecht shares this empathetic imagination. Oh, and he could write too.
Janet
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  #13  
Unread 02-28-2005, 06:12 PM
Katy Evans-Bush Katy Evans-Bush is offline
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Oh, I'm SO glad I started this thread! I'll have to read the Hecht later, on paper. It looks amazing. It looks like "I wish I'd written that."

I did a similar thing with a friend of mine, I made poems out of his emails and it was very successfu. I got a couple of good things that way. But the material has to be good, and in Hecht's cse being a genius didn't hurt.

It's funny when you find out what you thought was a private thing is shared by everybody...

KEB
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  #14  
Unread 03-01-2005, 02:02 AM
Clive Watkins Clive Watkins is offline
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Dear Katy

An interesting exercise is to read Clare’s journal in which he describes his journey out of Essex during those days and see in detail what Hecht made of Clare’s own words.

In this case Hecht acknowledges his source. When he does this kind of thing elsewhere, sometimes the source is concealed. In his last book, for instance, the first poem, “Late Afternoon: The Onslaught of Love”, is derived from the opening paragraphs of the third section of Chapter 3 of Flaubert’s Emma Bovary. (I owe this insight to my friend, the poet Joe Harrison. – The original text can be found at this site: http://abu.cnam.fr/cgi-bin/go?bovary3,3937 .)

Hecht, who in my view was a great poet, was often a considerably more complex and oblique than some of his admirers perhaps give him credit for.

Regards to all

Clive Watkins
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  #15  
Unread 03-01-2005, 06:23 AM
Janet Kenny Janet Kenny is offline
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Clive,
I would never underestimate the obliqueness nor complexity of Hecht.
I agree that he was a very great poet.
Janet
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  #16  
Unread 03-16-2005, 10:44 AM
Katy Evans-Bush Katy Evans-Bush is offline
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Oh my God. The movers have been. My Hecht and my Clare are BOTH (along with everything else except the Changing Light at Sandover) in crates in a warehouse.

Panic!!!!

KEB

Oh, the obliquity. Hecht scares me; he is amazing. I enjoyed his journey from Essex poem very much, but I think the voice of Clare isn't Hecht's natural tone. There were interesting overlaps where they sounded like a Dalek, kind of - you know, the two-toned voice speaking in unison with itself - but Hecht is SO much more sophisticated an animal.

There, that's calmed me down...
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  #17  
Unread 04-01-2005, 12:46 PM
Golias Golias is offline
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I received an interesting telphone call from Prof. Eric Robinson this morning. He was one of two editors of the Oxford Press edition of Clare's works and is considered the leading scholar on Clare. He also holds a copyright on all of Clare's poems not published in the poet's lifetime, which he purchased from the successor to Clare's publisher who bought it from Clare while he was yet alive and in his right mind, more or less.

I thought Prof. Robinson might be calling about some of the poems posted on this thread, but he says he has given up the copyright business, which has been violated several times, though he has prevented one or two books of "modernized" Clare from being published.

However, Prof. Robinson was calling about a recently discovered manuscript by, and in the handwriting of, Robert Bloomfield, a poor cobbler and "peasant poet" of Clare's day (known and admired by Clare) whose poems were at that time even more popular than Clare's. One of Bloomfield's books sold over 26,000 copies within three years. He, like Clare wrote in the East England dialect and had trouble with his editors who sometimes rewrote him in the high romantic style of late 18th century society verse.

This new-found Bloomfield manuscript (how long it is, I do not know) was unearthed by a Mr. Tom Cochran, an Englishman. Prof. Robinson says Mr. Cochran is interested in publicizing the poems on the Internet. He (Robinson) thought I might want to run it in the Susquehanna Quarterly, but as I don't have the SQ anymore and there seems scant prospect of anyone carrying it on, I told him I would ask around for suggestions and then telephone Mr. Cochran with whatever help I can provide.

Any ideas? Alex? Tim? Clive? Sam? Anyone?

Here is one Bloomfield poem,with his introduction, perhaps as edited by his upper-class publisher. For a couple of others, see http://human.ntu.ac.uk/research/bloomfield/
__________________________________________________ _______

TO A SPINDLE (c. 1805)

The portrait of my mother was taken on her last visit to London, in the summer of 1804, and about six months previous to her dissolution. During the period of evident decline in her strength and faculties, she conceived, in place of that patient resignation which she had before felt, an ungovernable dread of ultimate want; and observed to a relative, with peculiar emphasis, that ‘to meet Winter, Old Age, and Poverty, was like meeting three giants.’

To the last hour of her life she was an excellent spinner; and latterly, the peculiar kind of wool she spun, was brought exclusively for her, as being the only one in the village, who exercised their industry on so fine a sort. During the tearful paroxysms of her last depression, she spun with the utmost violence, and with vehemence exclaimed, ‘I must spin!’ A paralytic affection, struck her whole right side, while at work, and obliged her to quit her spindle when only half filled, and she died within a fortnight afterwards. I have that spindle now.

She was buried on the last day of the year 1804. She returned from her visit to London, on Friday, the 29th of June, just to a day, 23 years after she brought me to London, which was also on a Friday, in the year 1781.



Relic! I will not bow to thee, nor worship!
Yet, treasure as thou art, remembrancer
Of sunny days, that ever haunt my dreams,
Where thy brown fellows as a task I twirl’d,
And sang my ditties, ere the farm received
My vagrant foot, and with its liberty,
And all its cheerful buds, and op’ning flowers,
Had taught my heart to wander:
- Relic of affection! come; -
Thou shalt a moral teach to me and mine;
The hand that wore thee smooth is cold, and spins
No more! Debility press’d hard, around
The seat of life, and terrors fill’d her brain, -
Nor causeless terrors. Giants grim and bold,
Three mighty ones she fear’d to meet: - they came -
Winter, Old Age, and Poverty, - all came;
The last had dropp’d his club, yet fancy made
Him formidable; and when Death beheld
Her tribulation, he fulfill’d his task,
And to her trembling hand and heart at once,
Cried, ‘Spin no more.’ - Thou then wert left half fill’d
With this soft downy fleece, such as she wound
Through all her days, she who could spin so well.
Half fill’d wert thou - half finish’d when she died!
- Half finish’d? ’Tis the motto of the world:
We spin vain threads, and strive, and die
With sillier things than spindles on our hands!
Then feeling, as I do, resistlessly,
The bias set upon my soul for verse;
Oh, should old age still find my brain at work,
And Death, o’er some poor fragment striding, cry
‘Hold! spin no more!’ grant, Heaven, that purity
Of thought and texture, may assimilate
That fragment unto thee, in usefulness,
In worth, and snowy innocence. Then shall
The village school-mistress, shine brighter through
The exit of her boy; and both shall live,
And virtue triumph too; and virtue’s tears,
Like Heaven’s pure blessings, fall upon their grave.

G.




[This message has been edited by Golias (edited April 01, 2005).]
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  #18  
Unread 04-01-2005, 06:17 PM
J.A. Crider J.A. Crider is offline
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G.,

This is simply dynamite. Had presses money, the bidding would have commenced already. Thanks for sharing this.

John
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  #19  
Unread 04-01-2005, 08:15 PM
Golias Golias is offline
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For better understanding of the last lines of the Bloomfield poem above, I should note that the poet's mother had been a village schoolmistress, his father a poor taylor.

G.
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  #20  
Unread 04-01-2005, 09:16 PM
Janet Kenny Janet Kenny is offline
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Wiley (since you mentioned SQ ,
I have never heard of Bloomfield before.
This is moving in its simple honesty as well as its fluency. There is something familiar in the voice that reminds me of early settlers' journals in New Zealand. The industry and sense of mortality and unbeatable odds imbue many such texts. Thank you so much for posting this.
The other link would not open for me alas.
Best,
Janet



[This message has been edited by Janet Kenny (edited April 01, 2005).]
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